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David Bowie

David Bowie (illustration by Dan Springer)

David Bowie (illustration by Dan Springer)

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[January 2019 update: Had he lived, David Bowie would have turned 72 on January 8. It's also hard to believe that it's been three years since he passed away, after a mighty battle with cancer, on January 10, 2016. Last year, New York's Brooklyn Museum presented the V&A's acclaimed David Bowie is exhibition, one of 12 cities that featured Bowie's extensive archive, which first opened to the public in London in 2013. Now, there's an augmented reality mobile app, also called "David Bowie is," available via iOS and Android platforms, that will grant "digital immortality," per the press release, to anyone who missed the exhibit, which closed on July 15, 2018.  The app, which features narration from the Oscar and BAFTA-winning actor Gary Oldman, a friend of Bowie's, allows exploration of Bowie's costumes, writing, videos, artwork, diary entries, and much more. A collaboration between the David Bowie Archive and Sony Music Entertainment (Japan) Inc., the AR mobile app is only the first phase of this digital rollout; a VR version will follow at a later date.]

[David Bowie was FUV's very first FUV Essentials artist, back in March 2016, just a couple of months after his passing. - Ed.]

A consummate shapeshifter, rock star, and genius innovator, no artist defined the restless progression and mutability of music over the past five decades quite like David Bowie. His unexpected death on January 10, 2016, was a devastating blow to millions of music lovers across the globe, unleashing a downpour of grief and bewilderment that is still felt daily.

Few men ever seemed as effortlessly immortal as Bowie—as improbable as that might be in hindsight—and as he returned to recording and theatre over the past few years, via 2013's The Next Day, the 2015 off-Broadway production of "Lazarus," and this year's secretive Blackstar, we expected that he'd always be with us. He'd likely outlive us all. It's inconceivable that he is gone.

The scope of Bowie's sweeping influence on rock, pop, jazz, theatre, literature, stagecraft and fashion is infinite. He remains an exemplar for the wiry theatrics of St. Vincent or Annie Lennox, the darker vortexes of Nine Inch Nails or Iggy Pop, the ambitious eclecticism of Arcade Fire, Janelle Monáe or LCD Soundsystem, and the queer pride of Bloc Party's Kele or Elton John. Bowie befriended his musical heroes, like Scott Walker or Nina Simone, and often collaborated with them too, like Lou Reed, John Lennon and Brian Eno. When 19-year-old Lorde poignantly sang "Life on Mars" at the BRIT Awards earlier this winter, backed by longtime members of Bowie's touring band, there was no denying his astonishing impact on every generation: past, present and future. In that way, as the years crawl on, David Bowie will remain eternally alive.

Born David Jones in the working class neighborhood of Brixton in south London on January 8, 1947, Bowie possessed a schoolboy's love of American rockers, like Little Richard or Elvis Presley, and, as a fledgling saxophonist, the jazz experimentation of John Coltrane or Charles Mingus. He filtered an enduring love for the Beatles, Bob Dylan, British comedy ("The Goon Show") and West End musicals (Lionel Bart's Oliver!) into his nervy patchwork of character-driven rock personas.

Bowie zigzagged between his own polychromatic eras, slipping from the gentle, folky thrum of "Space Oddity" to the taut theatricality of Ziggy Stardust, spiralling from the gaunt soul of Young Americans to the prickly fury of Station to Station's haughty Thin White Duke. Bowie wandered the streets of Berlin with Tony Visconti and Brian Eno for Low, Lodger and Heroes (and according to Eno, the singer lived on raw eggs). The '80s arrived with the technicolor fervor and new Romanticism of Scary Monsters (and Super Creeps). Absorbing the energy of industrial raves and electronica, Bowie dove into the maelström with the propulsive Earthling

Navigating his fifties and a post-9/11 world, he wrote the songs for Heathen and Reality with an unflinching, sober eye. And he guided us through his last years, with mystery and grace, on The Next Day and Blackstar.  In many ways, the cultural history of Britain and the United States—and our universal arc from youth to middle age to death—can be documented via Bowie's 25 studio albums.

His music continues to bookmark our lives. Maybe, as a neon-clad kid of the '80s hooked on nascent MTV, you discovered a very blond, video-sculpted Bowie and shouted along with him to "Let's Dance." Or like a young Trent Reznor, you were wonderstruck by Scary Monsters. FUV's own Rita Houston found shelter and connection in the brassy grooves of Young Americans. And for millions of bereft Bowie fans, it's still hard to listen to "Lazarus" without weeping.

David Bowie was a visionary. And he will be missed.

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